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wiki:user:the_dunes_are_alive_with_the_sound_of_music [2014/04/18 12:54]
nostradamus
wiki:user:the_dunes_are_alive_with_the_sound_of_music [2018/07/29 01:22] (current)
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 In the climactic scene where the villagers demand to view the couple together, the music is distinct. ​ Not dissonant and haunting, it is rhythmic and warlike. ​ The new sounds should be taken as an indication that the period of metamorphosis is reaching conclusion. ​ This is a conflictual moment, reflected in the aggressive, ritual beat of the drums, where all of the various levels of individual and society are brought to ceremonious battle within Niki.  The music explains that this is not another moment of forced adaptation ​ , not another instance of the oppression of the sand.  This is Niki’s moment of truth, where the vestiges of his previous self will make their last stand and be destroyed, and a new version of Niki, an existential reduction his previous self,  will be reborn and baptized to the ritual beat of the drums. In the climactic scene where the villagers demand to view the couple together, the music is distinct. ​ Not dissonant and haunting, it is rhythmic and warlike. ​ The new sounds should be taken as an indication that the period of metamorphosis is reaching conclusion. ​ This is a conflictual moment, reflected in the aggressive, ritual beat of the drums, where all of the various levels of individual and society are brought to ceremonious battle within Niki.  The music explains that this is not another moment of forced adaptation ​ , not another instance of the oppression of the sand.  This is Niki’s moment of truth, where the vestiges of his previous self will make their last stand and be destroyed, and a new version of Niki, an existential reduction his previous self,  will be reborn and baptized to the ritual beat of the drums.
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